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PreSonus Eris E7 XT

188,90 € *

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2-Way Active Studio Monitors with EBM Waveguide Single sell line: The Eris ® E7 XT... mehr
PreSonus Eris E7 XT



2-Way Active Studio Monitors with EBM Waveguide

Single sell line:

The Eris® E7 XT 2-way studio monitors offer signature Eris acoustic tuning, diverse connectivity options, and stellar audio quality—adding an EBM (Elliptical Boundary Modeled) waveguide for wider high-frequency dispersion and a larger, ported enclosure for deeper lows.

Unique selling points:

The Eris E7 XT drives up to 104 dB of crystal-clear, transparent sound via a 6.5-inch woven composite low-frequency driver and a 1.25-inch silk-dome tweeter. The ported enclosure creates a deep, tight low-end, while the new EBM waveguide ensures a wider and more controlled sweet spot ideal for group listening and collaboration—while the narrow vertical dispersion reduces reflections from your desk. Versatile I/O and acoustic tuning features allow you to connect to virtually anything, nearly anywhere.

Body copy:

With the same robust connectivity options and powerful, articulate driver combo, the Eris E7 XT studio monitor is a nuanced update to a lauded classic. The 1.25-inch silk-dome tweeter now sports a Hugh Sarvis-designed EBM waveguide, delivering a wider and more controlled sweet spot ideal for group listening and collaboration. A larger, ported enclosure extends the bass response of the 6.5-inch woven composite low-frequency driver without adding any mud. And of course, the acoustic tuning controls let you flatten the frequency response in accordance with your mix environment. It’s Eris, remastered.

  • 6.55-inch woven composite low-frequency transducer

  • 1.25-inch (32 mm), ultra-low-mass, silk-dome, high-frequency transducer

  • 100˚(H) x 60˚(V) EBM waveguide and ported enclosure

  • Tuning Controls for accurate mixing contour (Level, HPF, LF Trim, HF Trim, Acoustic Space)

  • 130 Watt, Class AB bi-amplification drives up to 104 dB of sound

  • Includes Studio Magic, a suite of over $1000 USD worth of music production software

  • Balanced XLR, TRS, and unbalanced RCA inputs

  • 104 dB maximum continuous SPL

  • RF interference, output current limiting, over-temperature, transient, external mains fuse, and subsonic protection

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