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Novation Summit

€1,948.99 *

Content:
1 pcs.

* incl. VAT

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  • 102595
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Novation's flagship synthesiser with two multiparts, 16x polyphony & 61-key keyboard!... more
Novation Summit



Novation's flagship synthesiser with two multiparts, 16x polyphony & 61-key keyboard!

The New Oxford digital oscillators in Summit offer subtractive, FM and wavetable synthesis, feeding true analogue filter, distortion and VCA sections. Summit's multi-timbral engine allows you to combine two completely independent patches, with up to 16 simultaneously usable voices creating the harmonic depth for the richest pads.

The best sounding synthesizer ever from Novation
Summit doubles the power of Peak's New Oxford digital oscillators to up to 16x polyphony, spread across two multiparts. It also adds a host of new features and a top-notch five-octave keyboard.
This synthesiser is much more than the sum of its parts. It gives even the most demanding producers and live artists the power they need to create and play impressive basses, leads, arpeggios, pads, effects and other sounds.

Completely hands-on control in sound shaping
Summit takes Peak's technical architecture and way of working to new heights. You'll find a range of additional controls on the interface, giving you even faster access to FM functions, effects, LFOs and more. There are also dual filters with six low, high and bandpass combinations, audio inputs for processing external signal sources via the internal effects and a complementary pair of outputs.

Analogue core competence

The analogue stereophonic signal path features dual multimode filters, analogue VCAs and three-stage analogue distortion - before and after the filter, and after the VCA. With roots in the legendary OSCar and Bass Station II, the Summit's analogue ingredients are truly impressive.

Two peaks in one synthesiser and more
The 16-voice, multi-timbral sound generation allows the simultaneous use of two patches. Spread the sounds side by side on the keyboard, stack them on top of each other or work with two completely independent synthesiser units, for example by using one part as a pure effects processor for an external sound source. Of course, Summit can read all your peak patches.

Novation's best keyboard yet
Lightly weighted, velocity-sensitive 5-octave keyboard with aftertouch. This is the same top-of-the-line keyboard you'll find in the Novation SL MkIII controller.

New Oxford finish
Novation`s Digital New Oxford oscillators are capable of subtractive, FM and wavetable synthesis. Waveforms are generated directly by the FPGA (Field Programmable Gate Array) chip, which operates at a clock speed of 24 MHz in bitstream mode. It allows with controllable drift and deviation to simulate instabilities that are characteristic of analogue circuits and often desirable because of their resulting liveliness.

True analogue filters and distortion ranges
The New Oxford oscillators feed real analogue filters that have their origins in the legendary OSCar synthesizer. In addition, there is a three-stage analogue distortion section that provides plenty of possibilities for creating saturation.

Double Filter
Summit's double filter can be switched between six 12 dB combinations of low, high and band-pass characteristics, as well as 24 dB/octave operation, giving you a wide range of sounds.

Tackling sound design
Plenty of modulation sources for complex sonic journeys - LFOs, envelopes, Animate buttons and more. Advanced controls include.
FM parameters, envelope loop mode switches and LFOs 3/4, which have been transferred from Peak's menu to Summit's control surface for faster access.

Audio Input and Aux Output
Add external instruments that you can process via the built-in effects section, while still using Summit as a synthesiser.

Powerful effects
The built-in reverb, chorus and delay effects are also calculated via the FPGA. They are controlled directly from the control panel and are directly interwoven with the sound generation via a dedicated FX modulation matrix as modulation destinations.

A synthesizer for professional & semi-professional musicians looking for an inspiring & powerful instrument for live & studio use!

Features

Synth hardware

  • Control knob

  • 8x 45 mm sliders

  • Volume control

  • Data encoder knob

  • Rubberised knob caps with milled metal discs

  • Function buttons

  • Animate buttons and hold button

  • OLED display

  • Metal housing with American walnut end caps

  • End caps made of magnetic metal inserts

Connectors

  • Kensington lock

  • Power switch

  • Cold-device socket

  • USB socket for system (MIDI only, no bus power)

  • MIDI in/out/thru

  • 2x 6.3-mm jack sockets for stepless or switch pedals

  • 1x 3.5 mm jack socket for CV In

  • 2x 6.3 mm jack sockets for left and right outputs

  • 2x 6.3 mm jack sockets for aux outputs left and right

  • 2x 6.3 mm jack sockets for inputs left and right

  • 2x 6.3 mm jack sockets for headphone output

Synth engine

  • 16-note polyphony (depending on the voices used per note)

  • Multitimbral on 2 ranges

  • Bitimbral modes Layered, Split, Double

  • 5 voice modes - Mono, MonoLG, Mono2, Poly, Poly2

Per voice

  • 3 oscillators

  • 1 noise generator with high-pass filter control

  • 1 ring modulator

  • 2 LFOs

  • 1 amplifier envelope and 2 mod envelopes (ADHSR + looping)

  • 1 filter

  • Waveforms include sine, triangle, sawtooth, square/pulse and 43 wavetables with 5 waveforms per line

Filter

  • 1 state variable OTA filter per voice:

  • 12/24 dB gradient

  • Lowpass/bandpass/highpass/dual filter (separation of filters every 12 dB)

  • Dual filters: LP> HP, LP> BP, HP> BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP and HP + HP

  • Pre-filter overdrive

  • Post-filter distortion

Modulation

  • 16 modulation slots per patch

  • 2 sources per destination per slot

Mod sources

  • Direct (depth)

  • Modulation wheel

  • Aftertouch (polyphonic and channel AT)

  • Expression pedal 1

  • Expression pedal 2

  • Keyboard velocity

  • LFO1 positive

  • LFO1 bipolar

  • LFO2 positive

  • LFO2 bipolar

  • Amplifier envelope

  • Mod envelope 1

  • Mod envelope 2

  • Animate 1

  • Animate 2

  • CV Mod input bipolar

  • Bend up

  • Bend down

Mod targets

  • Oscillator 1-3 frequency, V-sync level, shape amount and level

  • Noise source level

  • Ring Modulator Output Level

  • Overall Synth Output Level

  • Filter drive, distortion, cut-off frequency and resonance

  • LFO 1 and 2 frequency

  • Amp-Env/Mod-Env 1/Mod-Env 2 Attack, Decay and Release

  • FM-Osz 1 -> osz 2, osz 2 -> osz 3, osz 3 -> osz 1 and noise -> osz 1

  • Osz 3 -> filter cut-off frequency

  • Noise -> filter cut-off frequency

Effects

  • FX per range

  • Analogue distortion

  • 3 chorus types

  • Delay with 16 types of delay sync, lowpass and highpass attenuation, slew and stereo

  • 3 reverb types

Source FX mod matrix

  • Direct (depth)

  • Mod-wheel

  • Aftertouch

  • Expression pedal 1

  • Expression/breath pedal 2

  • Velocity

  • Keyboard

  • LFO 1 +/-

  • LFO 2 +/-

  • LFO 3 +/-

  • LFO 4 +/-

  • Amplifier envelope

  • Mod Envelope 1 & 2

  • Animate 1 & 2

  • CV +/-

  • Bend wheel +/-

  • Bend up

  • Bend down

Destinations FX Mod Matrix

  • Distortion level

  • Chorus level

  • Chorus rate

  • Chorus depth

  • Chorus feedback

  • Delay level

  • Delay duration

  • Delay feedback

  • Reverb level

  • Reverb duration

  • Reverb lowpass

  • Reverb highpass

Other

  • FM controls on front panel

  • Global LFOs 3 & 4

  • Arpeggiator with key latch function - 33 patterns

  • Patch memory - up to 512 in hardware (factory preconfigured with 256 patches)

  • Glide control

  • All knobs (excl. volume), sliders and most keys transmit and receive MIDI CC messages for external control and mapping

  • Microtuning with scale table import and table tuning

  • Manual mode

  • Multi-poti mode Relative, poti-pickup, click-in

Physical data

  • Dimensions (H x W x D): 303.5 x 998.5 x 92 mm

  • Weight: 11.24 kg

Scope of delivery

  • 1 x Novation Summit Synthesizer

  • 1 x USB cable

  • 1 x power cable

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