Products from Aurora DSP

A versatile amp sim built on the DriveNET engine, faithfully modelling the high-gain Mr. Hector head and the flexible EL84-based Beast amp. Mr. Hector has been completely rebuilt with Aurora DSP’s DriveNET engine, which captures the gain structure, tone stack, speaker behaviour and even the interaction between channel volumes and power-amp dynamics. The 100 W Mr. Hector...

Kobraa brings back the classic tone of the German high-gain amplifier that defined metal and core music in the early 2000s, combined with modern flexibility. Kobraa offers three channels: Toxic (Clean) with crystal-clear tone and shimmering highs for ambient or balladic textures, Lethal (Crunch) with punch, tight lows and articulation for aggressive rhythms, and Fatal (Lead)...

The UK-handcrafted Black Country Customs Ironheart valve amp, digitally recreated with pedals, a cab section, effects and a full graphic EQ. Developed in partnership with Laney, the Ironheart plug-in recreates the modern-sounding high-gain amp with all the tones and features of the analogue originals: a three-channel preamp with clean, rhythm and lead channels and the output...

A modern noise gate solution for guitar and bass that delivers powerful noise removal without compromising your playing dynamics or tone. GateMate is a system of two plug-ins: you place GateMatePre before your amp or preamp to clean the raw DI signal, and the matching GateMatePost after your main tone shaping to finish the clean-up. A denoising control in the Pre plug-in,...

A valve compressor based on an absolute vintage classic, delivering gentle, smooth and musical compression to vocals, guitars, keyboards and practically everything else. L2 Aura is simple to use and delivers the warm, musical compression of a classic valve compressor, letting you level even your screams with precision. Two modes are available: Compress for smooth levelling...

A unique reverb from producer Kristian Kohle with six long and two short spaces captured in an abandoned swimming pool, plus two saturators and extra filtering. Kristian Kohle found a swimming pool that had been rotting for years and captured its complex, natural reverb with his favourite microphones: the huge pool hall produced long, diffuse tails, while its locker rooms...